My eyes are so heavy-lidded that I always seem intoxicated-in a dream-with a gentle smile, the little teeth I show like groves of jasmine.) (In 200 BCE, while the fair dames of Pompeii are setting their hair in tight curls, my dark face is luminous like the setting sun. Make it just a little smaller and then you will be truly pretty.” “Sweetheart,” you said to me, handing me a rum and coke, “don’t smile so wide. your friends whispered, “What a bomb-pataka you’ve netted, asshole.” “She smokes? Bet she sucks your dick too.” My plait is as thick as my arm, it snakes down my sinews, a river, breaching, in monsoon.) (In first-century India, my buttocks can hold mountains, and the desires of the whole world. My bare, tight midriff was pierced at the navel and encircled with a silver chain. My hair was silk, my lips crystals, my hips flat. On the dance floor, you held me by the waist. “Helps me imagine bigger boobs,” you said. when we had sex in the club’s loo, you took off my skirt and top and thong but not my bra. I walk slowly, bent slightly forward, unable to carry the weight of my heavy, heavy breasts.) (Lips like a red bimba fruit, eyes like a frightened gazelle’s, in the third century my waist is so tiny it disappears between my bosom and hips. “I love you, Sweetheart, but your boobs are really small.” at the club you smiled at the women who stared at your chiseled, fair face-nose sharp, jaw square-and told me how hot their breasts were. Young eliza schneider hot topless skin#I’m a tree nymph with a button nose, my hair dark like the wings of the Bhramara bees, three-layered pearls dangling between my bare breasts, my skin glossy like a plastic Barbie’s.) (300 BCE, a garden glazed with moonlight. I plucked the three hairs between my breasts, Sweetheart, and wore an off-white plunge top with a tiny gold skirt over a thong that dug into my butt crack. I laid a T-shirt over my long hair and ran a clothes iron over it to turn my hair into satin. I shaved the hairs between my navel and cunt. I shaved the hairs at the small of my back. I shaved the hairs on my knuckles and toes. the club was called MOJO and played desi hip-hop that reverberated at my gullet, my world a cube of bass and rum and disco lights. In twenty-first century India I am pale-skinned, walking into a glass cabin toward four suited men who nod at me approvingly from behind a long desk.) Fairness cream = light skin = beauty = confidence = job interview badassery. Young eliza schneider hot topless professional#(Ten years ago, when a popular skin-whitening cream in India started receiving criticism for propagating problematic ideas of female beauty (light skin = husband), the cream’s new TV ads started showing how the cream leads to women’s professional success. I laughed then, turned to my side, my clit erect, when you said, “Why is it so dark? Why isn’t it pink?” Sweetheart, that afternoon I lay on my back in a black bra and nothing else when you kneeled at my knees and pulled my legs apart, said, “Hmmm,” to my blue-black cunt that opened like a carnivorous flower. (Today my lips are fissured, purple wine in their cracks.) Musicians barely appeared on the roads anymore and when they did I wanted to tell them, “Don’t leave, please.” “Told you so,” you told me.Īcross the wine stain, a Rajasthani man in khaki pants and a tucked-out shirt played ravanhatha that sounded like weeping. The station smelled dense-your mouth at the end of a night of partying, Sweetheart, when you wanted to have sex and I turned to you, eyes wide and desperate, said, “Kiss me first,” but we couldn’t because alcohol had dried our mouths. someone had emptied a bottle of red wine at the exit of the bus station, the stain like the line of hairs between my navel and cunt. Kenyon Review Award for Literary Achievement.Developmental Editing Fellowship for Emerging Writers.The Patricia Grodd Poetry Prize for Young Writers.Once you have grasped the facts of a subject, your creativity and abstract approach lifts your thinking beyond the rudimentary to the philosophical. You have a natural gift for analysis and research. You search beneath the surface of things. You value the gifts of your mind, which you use to great advantage to penetrate the mysteries of life. Your verbal skills may well lead you into the fields of writing, comedy, theater, and music.” Inner analysis of Eliza Schneider by heart number 7 All of this upward energy is a symptom of your tremendous creativity. People see you as cheerful, positive and charming your personality has a certain bounce and verve that so powerfully affects others that you can inspire people without effort. “You are optimistic, inspiring, outgoing, and expressive. Talent analysis of Eliza Schneider by expression number 3 Eliza Schneider name Numerology Numerology (Expression Number)
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